"I felt, stay where you were when you were called. "When I came to the Lord, I felt a sense some people feel they have to stop secular music," he said. Yet his concerts are secular _ and he said he doesn't preach about his religious beliefs on stage. The family tithes at his church _ and McGuinn and his wife have daily morning devotions and read the Bible together. Today, McGuinn and his wife belong to the 8,000-member Church on the Way in Van Nuys, Calif., led by the Rev. Within several weeks of that incident, he met his wife, Camilla, and they were married. "The biker could tell there was a spiritual change that had occurred," in me, he said. On his way back home after the experience, he said he saw a motorcycle friend who asked him if he wanted to go out and get some drugs and girls. "I felt a lifting of this heaviness and a spiritual enlightenment and peace and warmth," McGuinn said. Then, an inner voice spoke to McGuinn, suggesting that he accept Jesus. It was a crushing sensation like he was being pulled into the floor. Live From Mars, a retrospective of songs and stories, appeared in 1996."It was a heavy feeling coming over me," he said. In 1991 - the same year the Byrds were inducted into the Rock and Roll Hall of Fame - McGuinn issued his first new solo recordings in over a decade, the all-star Back to Rio, which was met with great public and critical acclaim. The appearance of a faux Byrds led by Michael Clarke prompted McGuinn to reform the group with Hillman and David Crosby in 1989, resulting in a series of club performances, an appearance at a Roy Orbison tribute, and a handful of new recordings for inclusion on a box set retrospective. After undergoing another religious conversion, this time becoming a born-again Christian, McGuinn spent the remainder of the 1980s without a recording contract and performing solo dates. In late 1977, McGuinn reunited with Byrds mates Chris Hillman and Gene Clark the resulting LP, 1979's McGuinn, Clark & Hillman, notched a Top 40 pop hit with the McGuinn-penned "Don't You Write Her Off." Midway through recording the follow-up, 1980's City, Clark departed, and the album was released under the name "Roger McGuinn and Chris Hillman Featuring Gene Clark." Following another effort, 1981's McGuinn/Hillman, they went their separate ways. 1976's Cardiff Rose was regarded as his best solo effort to date, but the next year's Thunderbyrd, which featured a cover of Tom Petty's "American Girl," failed to connect with audiences. 1974's Peace on You and 1975's Roger McGuinn & His Band preceded a stint with Bob Dylan's Rolling Thunder Revue, which helped revitalize his standing within the musical community. That same year, McGuinn issued his self-titled solo debut, an ambitious, eclectic affair which explored not only folk and country but surf and even space rock. Under the direction of McGuinn - who had changed his first name to Roger after a flirtation with the Subud religion - the Byrds soldiered on, delving further and further into country and roots music before finally dissolving in February 1973. Tambourine Man," but his jangly guitar work quickly became the very definition of the burgeoning folk-rock form still, despite the Byrds' immediate success, both commercially and critically, the group was plagued by internal strife, and following the release of their 1968 country-rock breakthrough Sweetheart of the Rodeo, McGuinn was the only founding member still in the band. McGuinn was the only member of the Byrds to play on their landmark debut single "Mr. After a failed single under the name the Beefeaters, the group recruited bassist Chris Hillman and drummer Michael Clarke, changed their name to the Byrds, and set about crystallizing McGuinn's vision of merging the poetic folk music of Bob Dylan with the miraculous pop sounds heard via the British Invasion. After touring with the Limelighters, in 1960 he signed on as an accompanist with the Chad Mitchell Trio, appearing on the LPs Mighty Day on Campus and At the Bitter End frustrated with his limited role in the group, he soon joined Bobby Darin's group when the singer moved from pop to folk.Īfter appearing on sessions for Hoyt Axton, Judy Collins, and Tom & Jerry (soon to be known as Simon & Garfunkel), McGuinn began playing solo dates around the Los Angeles area, where he soon formed the Jet Set with area musicians David Crosby and Gene Clark. James Joseph McGuinn was born on July 13, 1942, in Chicago, where by his teenage years he was already something of a folk music prodigy. As the frontman of the Byrds, Roger McGuinn and his trademark 12-string Rickenbacker guitar pioneered folk-rock and, by extension, country-rock, influencing everyone from contemporaries like the Beatles to acolytes like Tom Petty and R.E.M.
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